Tag Archives: Agatha Christie

Film Review: Death on the Nile (2022)

In some ways, Death on the Nile feels like a film that came out years ago.

Originally slated to arrive ‘P-C’, ‘Pre-Covid’, in December 2019, a slew of delays followed as the pandemic rocked the cinematic world and further pushed back Kenneth Branagh’s follow up adventure as the self-styled ‘world’s greatest detective’ Hercule Poirot, after his successful and largely critically praised debut in Murder on the Orient Express, until finally it has arrived—perhaps more appropriately—on Valentine’s weekend some two and half years, almost, late.

The project since then has been lurking in the press for all of the wrong reasons, be it Gal Gadot’s views on the Israeli-Palestinian conflict, Armie Hammer’s blacklisting thanks to some troubling sexual peccadilloes, or Letitia Wright spouting full blown anti-vaccination nonsense (which she denies). Some even wondered if the film would ever see the cinematic light of day or end up sent to the streaming doldrums of Disney+ as some kind of ‘premier exclusive’. Perhaps wisely, perhaps not, that didn’t happen.

Branagh’s film is undeniably a cinematic experience but that, nor the delay, prevent the finished product being a frustrating disappointment.

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Film Flashback: MURDER ON THE ORIENT EXPRESS (2017)

With sequel Death on the Nile arriving in cinemas, we look back at Kenneth Branagh’s 2017 adaptation of Murder on the Orient Express

Murder on the Orient Express isn’t just a remake, or another adaptation of a classic text, it’s also undoubtedly an attempt to contemporise an incredibly well known piece of work, in this case Agatha Christie’s legendary 1934 detective novel featuring her most famed, irrepressible character: Inspector Hercule Poirot.

Don’t get me wrong, the piece remains set in the mid-1930’s, with period production values and Kenneth Branagh’s protagonist sporting the most daring, rakish moustache you could imagine, but everything about Branagh’s new take on the material is concerned with highlighting the simmering, modern day issues which Michael Green’s screenplay picks out of this hugely popular piece of detective fiction.

Christie’s original story sees Poirot seeking a holiday, following a case in the Middle East, but upon being recalled back to London to consult on a case, he boards the Orient Express in Istanbul with an eclectic group of passengers from all corners of the world, one of whom in short order ends up dead as the train is stalled by an avalanche while travelling through the mountains. Cue the inspector attempting to put the pieces together in true sleuth fashion, negotiating the myriad egos and personalities of everything from middle-aged American lushes to aged Russian princesses.

Well known for its ultimate twist (one I didn’t infact know, nor which I will spoil), Poirot’s ultimate detection leads him to multiple realisations, both literal and emotional.

Continue reading Film Flashback: MURDER ON THE ORIENT EXPRESS (2017)