Reality has been tough lately. The world feels like a powder keg of polarisation, violence and economic spiral, certainly if you poke your head over the parapet and engage with the day to day.
Can we therefore be surprised that we have seen, in the last couple of years, a resurgence of what we might describe as ‘feel good’ TV? Ted Lasso, Sex Education, Grace & Frankie, Trying, the list goes on – modern series which present to audiences worlds that exist on the fringes of the reality we all experience. Worlds in which we might see favoured characters undergo emotional and spiritual changes, many of them painful and difficult, but through which we are reasonably confident these people we have come to admire and show genuine affection for will be okay in the end.
Whether these series have been devised specifically for this purpose is an open question. My instinct is that the answer is both yes and no. It is hard to imagine any creative, from Jason Sudeikis to Marta Kaufman to Laurie Nunn, truly writing and developing their show specifically for the ‘feel good’ designation. These things tend to happen organically and by osmosis, even if—as in the case of Ted Lasso—your entire series is deep rooted in ideas of kindness, teamwork and hope. The question that interests me is this: do we need these shows right now because we need to escape reality? Are they the television equivalent of taking the blue pill offered by Morpheus?
Maybe the rabbit hole, right now, is just too existentially grim to face. Maybe we need to feel good in these fictions because they are, for many, our only escape.